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<title>Aftertones of Infinity</title>
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<span id="openzim-page-title" class="mw-page-title-main"><i>Aftertones of Infinity</i></span>
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<p><i><b>Aftertones of Infinity</b></i> is a <a href="Symphonic_poem" title="Symphonic poem">symphonic poem</a> written by the American composer <a href="Joseph_Schwantner" title="Joseph Schwantner">Joseph Schwantner</a>. The work was commissioned by the <a href="American_Composers_Orchestra" title="American Composers Orchestra">American Composers Orchestra</a> and completed in 1978. It was first performed by the American Composers Orchestra conducted by <a href="Lukas_Foss" title="Lukas Foss">Lukas Foss</a> in <a href="Alice_Tully_Hall" title="Alice Tully Hall">Alice Tully Hall</a>, <a href="New_York_City" title="New York City">New York City</a>, on January 29, 1979. The piece was later awarded the 1979 <a href="Pulitzer_Prize_for_Music" title="Pulitzer Prize for Music">Pulitzer Prize for Music</a>.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup>
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<div class="mw-heading mw-heading2"><h2 id="Reception">Reception</h2></div><p>
Reviewing a 1991 revival of the piece, the music critic <a href="Allan_Kozinn" title="Allan Kozinn">Allan Kozinn</a> of <i><a href="The_New_York_Times" title="The New York Times">The New York Times</a></i> wrote:<style data-mw-deduplicate="TemplateStyles:r1244412712">
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</style></p><blockquote class="templatequote"><p>The piece begins with a nonspecific shimmer and proceeds spacily for several moments before its strands begin to coalesce. When they do, the results are violent eruptions of percussion, brass and string writing, sometimes in patches so dense as to become a toneless aggregate. Invariably, haunting, lyrical passages emerge from these thickets. And in the work's final moments, the sounds of a glass harmonica and the orchestra's gentle vocalizing return the 15-minute work to the haziness of its starting point.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup></p></blockquote>
<div class="mw-heading mw-heading2"><h2 id="References">References</h2></div>
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<li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">
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</style><cite id="CITEREFFischer2010" class="citation book cs1">Fischer, Heinz Dietrich, ed. (2010). <i>The Pulitzer Prize Winners for Music</i>. <a href="Peter_Lang_(publisher)" title="Peter Lang (publisher)">Peter Lang</a>. pp. <span class="nowrap">160–</span>161. <a href="ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <bdi>978-3-631-59608-1</bdi>.</cite></span>
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<li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><cite id="CITEREFKozinn1991" class="citation web cs1"><a href="Allan_Kozinn" title="Allan Kozinn">Kozinn, Allan</a> (February 6, 1991). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1991/02/06/arts/review-music-riley-minimal-no-longer-turns-to-a-polyglot-swirl.html">"Review/Music; Riley, Minimal No Longer, Turns to a Polyglot Swirl"</a>. <i><a href="The_New_York_Times" title="The New York Times">The New York Times</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">October 15,</span> 2017</span>.</cite></span>
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</style><div id="Pulitzer_Prize_for_Music_(1971–1980)632" style="font-size:114%;margin:0 4em"><a href="Pulitzer_Prize_for_Music" title="Pulitzer Prize for Music">Pulitzer Prize for Music</a> (1971–1980)</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><a href="Mario_Davidovsky" title="Mario Davidovsky">Mario Davidovsky</a> ('71): <i><a href="Synchronisms_(Davidovsky)" title="Synchronisms (Davidovsky)">Synchronisms No. 6</a></i></li>
<li><a href="Jacob_Druckman" title="Jacob Druckman">Jacob Druckman</a> ('72): <i><a href="Windows_(Druckman)" title="Windows (Druckman)">Windows</a></i></li>
<li><a href="Elliott_Carter" title="Elliott Carter">Elliott Carter</a> ('73): <a href="String_Quartet_No._3_(Carter)" title="String Quartet No. 3 (Carter)">String Quartet No. 3</a></li>
<li><a href="Donald_Martino" title="Donald Martino">Donald Martino</a> ('74): <i>Notturno</i></li>
<li><a href="Dominick_Argento" title="Dominick Argento">Dominick Argento</a> ('75): <i><a href="From_the_Diary_of_Virginia_Woolf" title="From the Diary of Virginia Woolf">From the Diary of Virginia Woolf</a></i></li>
<li><a href="Ned_Rorem" title="Ned Rorem">Ned Rorem</a> ('76): <i><a href="Air_Music" title="Air Music">Air Music</a></i></li>
<li><a href="Richard_Wernick" title="Richard Wernick">Richard Wernick</a> ('77): <i>Visions of Terror and Wonder</i></li>
<li><a href="Michael_Colgrass" title="Michael Colgrass">Michael Colgrass</a> ('78): <i>Deja Vu</i></li>
<li><a href="Joseph_Schwantner" title="Joseph Schwantner">Joseph Schwantner</a> ('79): <i></i></li>
<li><a href="David_Del_Tredici" title="David Del Tredici">David Del Tredici</a> ('80): <i>In Memory of a Summer Day</i></li></ul>
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<ul><li>Complete list</li>
<li>(1943–1950)</li>
<li>(1951–1960)</li>
<li>(1961–1970)</li>
<li>(1971–1980)</li>
<li>(1981–1990)</li>
<li>(1991–2000)</li>
<li>(2001–2010)</li>
<li>(2011–2020)</li>
<li>(Citations)</li></ul>
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